Thanks to mediaX at Stanford!


mediaXatStanfordU

Image Credit: mediaX at Stanford University, 2017

My heartfelt thanks to Henry, Ingmar, Peter, Jason and everyone at mediaX at Stanford for a fantastic visit! If you are interested in seeing this lecture, which outlines the intellectual project of my first book, On Video Games, you can click the image above.

Advertisements

mediaX at Stanford


mediax_logoreverse_extralarge

I am eagerly anticipating my June 6, 2017 talk at mediaX, as part of the “Games and Interactive Media Seminar Series” at Stanford University. I’ll be speaking on my new book, which will be out soon. My lecture is called “On The Visual Politics of Video Games” and it introduces some key themes of my book.  Thanks to Henry Lowood and Ingmar Riedel-Kruse for this invitation! You can click on the image to learn more and see the lecture.

Flashback to “High Art / Low Life”

san-andreas-0

My first published academic essay, and also my first essay on games, remains in demand, so wanted to make it available here. I wrote it when I was a graduate student. I’m eternally grateful to the editor of PAJ: A Journal of Performance and Art, Bonnie Marranca, for publishing my work on games first!

You can find it here: http://www.mitpressjournals.org

You can download a PDF of the essay HERE

 

Flashback to ISEA 2015

isea2015

Thinking back on a terrific panel with Professors Anna Everett, Jen Jenson, and D. Fox Harrell:

The Visual Politics of Play: On the Signifying Practices of Digital Games

Digital games are so pervasive that they increasingly shape how people ascribe meaning to their world; in short, games are now culture. Similarly to music, literature, television, fashion and film, games as culture constitute “networks of meaningness which individuals and groups use to make sense of and communicate with one another” (Hall). Games expand the ways that we image our own possibilities, create empathetic connection, and seed ethical engagement with lived-world challenges and problems. Recent games ‘culture wars’, notably, Gamergate definitively confirmed that games traffic in the politics of representation, just as any other form of mass media. This panel examines the social functions of playable media as powerful forms of visual culture and ideological world making, especially as they relate to notions of difference.

This panel includes contributions in critical games research that model intersectional approaches foregrounding the politics of representation, and signifying practices of video games as new media and visual culture. Brought together are three important voices, who—each in their own field—utilize intersectional ap- proaches foregrounding more nuanced or inclusive forms of rep- resentation, and therefore more sophisticated signifying practices of video games as electronic media and visual culture. Each panelist (Everett, Harrell, Jenson) presented their work for twenty minutes, with an informal question and answer session that included the audience, speakers and moderator (Murray).

Proceedings are available on the ISEA 2015 WEBSITE

Or, download the pdf HERE:  isea2015_submission_261